Dead by Dawn (1998) from Johnny Web (Uncle Scoopy) |
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Alan Pakula was a serious-minded Yale graduate who
migrated westward toward California-style showbiz, and first made his mark in the movies as a producer.
He must have
been pretty damned good at it, because his credits include To Kill a
Mockingbird. After he did that for a decade or so, the studio system
started to crumble in the late sixties and early seventies, so
Pakula started directing his own films. He was a top-notch filmmaker
in the 70s and 80s, having directed such acknowledged triumphs as
Sophie's Choice and All the President's Men, and other noteworthy
films which were characterized by their intelligence and their
compassionate liberalism. After All The President's Men, his career
took a downturn, and by the 1990s he was directing thrillers, some
pretty good (1990's Presumed Innocent, starring Harrison Ford), some not
so good at all (1986's Dream Lover, starring Kristy McNichol).
If you are an intelligent and patient person, you are probably wondering why I am discussing one of Hollywood's most beloved A-list icons in an article that is supposed to be about a lame softcore sex movie made a year after Pakula's death. I'm getting there. Stay patient for a minute. In 1992, during the thriller phase of his career, Pakula directed a movie called Consenting Adults, which didn't do much at the box office ($21 million) and is now largely forgotten. Here are his directorial efforts sorted by IMDb rating:
Consenting Adults didn't have that great a script but did, however, star two major Hollywood names, Kevin Spacey (pre-stardom) and Kevin Kline. I reckon that "The Two Kevins" are the grade-A version of "The Two Coreys". Spacey played a shifty wheeler-dealer who was always looking for the bigger, better deal. Kline played a 40ish fuddy-duddy who found himself trapped in a joyless suburban life. Pretty much the same role Kevin Kline always plays when he's not doing comedy. The two men became neighbors and then friends, after a fashion, and Spacey started to seduce Kline into a more sinful and daring world-view. The piece de resistance of the seduction was an offer to swap wives. Simple enough - one night they would each go to the other's wife in the dark, and make love to her. The women would catch on, but if they refused, well, so what? Nothing ventured, nothing gained. Kline gave in, the woman consented without any problem, but Kline woke up with a major one. Spacey's wife was killed during the swap-night, bludgeoned to death with a Louisville Slugger. When the bat was found with Kline's fingerprints all over it, he seemed to be headed for the electric chair. There are many more twists to the plot, but I can't reveal them without spoiling the entire movie. You have the idea, and can probably guess the rest. |
| I suppose even the most patient among you has now lost patience with me, so I'll get to the point. Dead by Dawn is basically the same movie as Consenting Adults. The plot description above is identical in both films - right down to the baseball bat. The only difference is generated by the fact that Dead by Dawn is a softcore sex film, so it has lengthy sex scenes. By adding 25 minutes worth of sex, the script had to economize somewhere else, so Dead by Dawn was only able to fit in the first half of the plot from Consenting Adults. |
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In Consenting Adults, Kevin Kline made bail about halfway through, found out that his own wife had moved in with Spacey, and that's basically where the real movie began. Dead by Dawn condensed the plot to the point where the pseudo-Kline did find out about his friend and his wife, but is still in the slammer, and it ends with our understanding that the ersatz Kline character will fry for a crime he did not commit. I'll bet you are thinking, "So, a softcore sex movie actually had a plot as good as an Alan Pakula film. That's probably a good thing, right?" Well, sorta. It wasn't a bad idea, I guess, but ...
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I can't recommend this film at all. The borrowed plot is not really relevant to this evaluation. The salient point is that it's filled with long, passionless sex scenes in which the participants are fully-dressed or in panties. There's no sign of a pubic area anywhere, and almost no nudity from Shannon Tweed. |
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